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The Maschine application uses a system of Kits and Patterns. In its modern state, it’s debatable whether we could call Maschine 2.0 a DAW itself it still lacks some of the deeper audio recording and editing features we’d expect from a traditional DAW application, but it ticks pretty much every other box including the ability to arrange and export songs, apply effect processing and host third party VST and AU plugins. Which is the one for you? Let’s take a look at the options. There are, however, still some significant differences between the various Maschine packages. Each version comes with some form of factory library, including plenty of samples, synth presets and demo projects to get your teeth into – all of which can be expanded with the addition of NI’s excellent genre-themed Expansions. In all cases, one of the major selling points of modern Maschine systems is that they offer everything a producer needs to create electronic or sample-based music. At their core, however, the underlying concept remains the same for all Maschine setups – a software production environment paired with a pad-equipped MIDI controller designed specifically for ultra-tight interaction. The core Maschine controller is now on to its third generation and has been joined by multiple variations that offer expanded, stripped-back and alternative takes on the same concept. The range of hardware has expanded considerably too. The best samplers: standalone instruments for studio or live.

10 creative tips that will improve your Maschine workflow.Originally pitched as a software-powered take on the classic Akai MPC beatmakers, the Maschine ecosystem has now grown to encompass far more than sample-centric beat-building, with synthesizers, effects, arrangement and even hardware sequencing all covered by the current iteration of the Maschine software.

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